'The End of the F***ing World' Is Netflix's First Great Surprise of the Year


This post contains major spoilers from The End of the F***ing World.

“I’m James. I’m 17, and I’m pretty sure I’m a psychopath.” So begins The End of the F***ing World, an adaptation of the popular Charles Forsman graphic novel and the first great hidden TV gem of the year. James is on a twisted journey of self-discovery, looking for his first human kill, and, more importantly, to feel something. The show might sound depressingly dark, but it leaves room for humor and heart, placing it somewhere between Twin Peaks and Juno. Not bad for a serial-killer-in-the-making premise.

“I like to build David Lynch-like worlds and then just let it rip with normal characters,” showrunner Jonathan Entwistle tells Thrillist. “Without the weird performances.” The pilot wastes no time introducing James (played by Alex Lawther, from Black Mirror‘s “Shut Up and Dance”) to Alyssa (Penny Dreadful‘s Jessica Barden), another 17-year-old on an enlightening quest of her own (“I don’t trust people who fit in”). While she thinks she could love James, he thinks he could kill her. So James steals his dad’s car and, before you know it, the two misfits are embarking on a road trip across England, running away from their boring town, hoping to find something in each other.Directed by Entwistle and Lucy Tcherniak, and written by Charlie Covell, the rest of TEOTFW‘s lean eight-episode run hews to the thrust of Forsman’s book, giving James and Alyssa no dearth of obstacles. Among them: a car crash, a pervert, a professor who moonlights as a predator, and a murder. Though the couple face an unrelenting string of disasters, it’s this murder — James’ first, in the name of self-defense — that, oddly, becomes the best thing to happen to them. While Alyssa wonders whether she was complicit in a stabbing death or saved from sexually assault, James learns he doesn’t enjoy killing humans. He just hasn’t met any he likes. Until now

A closer look at the show reveals a world populated not with numb or depraved characters, but lonely ones, many of whom are looking to connect. It’s a particularly poignant theme, especially coming from a country that just appointed a Minister of Loneliness to address the concern. After the murder, when James tries to find his way in the world without Alyssa, he soon realizes she’s protected him as much as he’s protected her. As their road trip turns into an escape from authorities who believe the kids murdered the professor in cold blood, that epiphany becomes mutual: they need each other to survive.

It’s a bit of a surprising turnaround from the pilot. You’re no longer watching Dexter Jr., but a fucked-up teen love story sans the cliché six-packs and twee romances. It’s closer to Julia Ducournau’s cannibalism-heavy Raw than Riverdale, and fans and critics alike — including this one — have been unreserved about championing the show. TEOTFW, which first aired last fall on the UK’s Channel 4 before finding a larger audience on Netflix at the beginning of the year, has maintained a high 97% on Rotten Tomatoes. The site lists it as its second-most-popular show of the year so far, behind the CW’s newly released Black Lightning and right above Black Mirror‘s fourth season.

Part of what makes TEOTFW work so well is the creative vision, which has been gestating for close to a decade, ever since Entwistle discovered Forsman’s comic in the trash on a street in London and began dreaming about adapting it. As Entwistle explains it, he wanted to create a specific tone, a weird world where mundane events could still occur. 


The spot-on casting helps, too. If Black Mirror‘s “Shut Up and Dance” didn’t convince you of Lawther’s power to portray “I’m fine on the outside, I’m screaming on the inside,” his performance here will. Barden thrills as the no-bullshit rebel who revels in pushing people’s buttons. And the supporting cast, from Gemma Whelan’s lame British Columbo to Barry Ward’s scuzzy deadbeat dad, feels far from contrived. Much of this character- and world-building is, of course, also thanks to the writer, Covell, who was adamant the creative team honor the source material as much as possible.

Fans of the graphic novel will spot occasional deviations — the tweaked time span, the absence of the cult, the addition of Topher, to name a few — but they’ll likely be digestible. If there’s one thing that’s proven to be polarizing about this adaptation, it’s the ending. The road trip ultimately finds James and Alyssa begging the latter’s estranged father (Ward) for a hideout. He obliges, briefly, till he learns of a reward and calls the cops. With nowhere left to go, James orders Alyssa to tell the police he kidnapped her — she didn’t technically kill anyone, after all — and he runs for his life. “I’ve just turned 18,” an armed James says, zigzagging across a beach to dodge bullets, “and I think I understand what people mean to each other.” Readers of the original will recognize the BLAM! that prompts an abrupt cut to black, raising questions about James’ fate. Where the book gives answers in the form of an epilogue, the TV show opts for a potentially frustrating cliffhanger. “It’s kind of nice that people are annoyed by the ending. I feel like it ends the way it started, where people are like, Who are these insane people?” Entwistle says. “I hope that it leaves the show open for expanding the world.”

Though Entwistle and Covell are out of source material, such expansion isn’t unprecedented. 13 Reasons Why similarly debuted wearing one-run camouflage and, after a surge in popularity, earned professional-grade fan fiction for Season 2. Some are already pleading TEOTFW not to go that route, but Entwistle seems intrigued. “For me, it’s all about James and Alyssa — I think that’s what people have connected with,” he says. “A Season 2 would have to involve James and Alyssa somehow. I just love the world of them out there on the road.”Sign up here for our daily Thrillist email and subscribe here for our YouTube channel to get your fix of the best in food/drink/fun.

Sean Fitz-Gerald is a staff writer at Thrillist Entertainment. Find him on Twitter: @srkfitzgerald.


Where to Celebrate Lunar New Year 2023 in Australia

And what it means to be in the year of the Rabbit.

where to celebrate lunar new year australia

Starting with the new moon on Sunday, January 22, this Lunar New Year ushers in the year of the Rabbit. We’ve put together a guide on celebrating the Lunar New Year in Australia.

What is special about the year of the Rabbit?

As you might know, each year has an animal sign in the Chinese Zodiac, which is based on the moon and has a 12-year cycle. This year, we celebrate the year of the rabbit, known to be the luckiest out of all twelve animals. It symbolises mercy, elegance, and beauty.

What celebrations are taking place and how can I get involved?

There are plenty of festivals happening all around the country which you can get involved with. Here they are per state.

New South Wales

Darling Harbour Fireworks
When: Every year, Sydney puts on a fireworks show, and this year, you can catch it on January 28 and February 4 at 9 pm in Darling Harbour.

Dragon Boat Races
When: Witness three days of dragon boat races and entertainment on Cockle Bay to usher in the Lunar New Year. The races will commence on January 27 and finish on January 29.

Lion Dances
When: Catch a traditional Lion Dance moving to the beat of a vigorous drum bringing good luck and fortune for the Lunar New Year. The dance performances will happen across Darling Harbour on Saturday, January 21, Sunday, January 22, and Sunday, February 4 and 5, around 6 pm and 9 pm.

Lunar New Year at Cirrus Dining
When: Barangaroo’s waterfront seafood restaurant, Cirrus, is celebrating the Year of the Rabbit with a special feast menu. Cirrus’ LNY menu is $128pp with optional wine pairing and is available from Saturday, January 21, to Sunday, February 5.

Auntie Philter
When: Hello Auntie’s owner and executive chef, Cuong Nguyen will be dishing out some of the most classic Vietnamese street foods with his mum, Linda. All of Philter’s favourites will be on offer, as well as Raspberry Pash Beer Slushies and other cocktails being served at the Philter Brewing rooftop bar on Sunday, January 22 and Sunday, January 29.


Lunar New Year Festival
When: Ring in the Lunar New Year with food, music, arts, and more on Sunday, January 22, from 10 am to 9 pm.

Lunar New Year at the National Gallery of Victoria
When: Celebrate the year of the rabbit at the National Gallery of Victoria’s festival of art, food, and art-making activities for everyone from 10 am-5 pm.


BriAsia Festival
When: From February 1-19, Brisbane will come alive with performances, including lion dances and martial arts displays. There will be street food, workshops, comedy and more.

South Australia

Chinatown Adelaide Street Party
When: Adelaide is set to hose a fun-filled day celebrating the Chinese New Year on Saturday, January 28, from 12 pm to 9 pm.

Western Australia

Crown Perth
When: Across January and February, Crown Perth hosts free live entertainment, including colourful lion dances, roving mascots, and drumming performances. The restaurants will also throw banquets and menus dedicated to the Lunar New Year.

Get the latest from Thrillist Australia delivered straight to your inbox, subscribe here.


Our Best Stories, Delivered Daily
The best decision you'll make all day.